To perform an Insert edit, select portion of a clip from the Event Library, move the cursor in between these two edit points, and press the W key to insert the clip, as shown in Figure 4 (below).įigure 4. You don’t want it to overwrite any of the footage you just want to insert and push everything downstream to make room for it. You use an Insert edit when you want to insert a clip in between two clips that are already on the timeline. The next type of edit we’ll use is an Insert edit. In this example, we’ll line up 3 clips using this approach, with each one appearing immediately to the right of the last. So, as you continue to make clip selections, and hit the E key again, FCP X will drop the clips at the end of the timeline. As we make another selection, and hit E again to append it again, you’ll see it goes right to the end of that.Įssentially, Append moves a clip to the very end of your timeline on your Primary Storyline. Then press the E key for the Append edit, and FCP X will drop the selection down to the timeline (Figure 3, below). To begin, we’ll make a small selection from a clip in the Event Library. Keyboard shortcuts for the 4 types of editsįirst, we’re going to talk about the Append edit. Apple did a good job of making this very intuitive because they’re all left-hand keystrokes ( Figure 2, below).įigure 2. There are four major types of edits: the Append edit, the Connect edit, the Insert edit, and the Overwrite edit. Getting Footage to the Primary Storylineįirst and foremost, we have to learn how to get footage down to the timeline to begin editing. Supporting and connecting clips and other media go above and below. The magnetic timeline with the Primary Storyline highlighted. Once you’ve had a chance to learn it, I think you’re going to feel the same way. Now that I’ve grown accustomed to using the new timeline style in all the commercial and event edits I do at Cord3Films, I don’t want to go back to the old style. At first it can be difficult to acclimate to the new timeline format ( Figure 1, below), so I’m going to break it down and try to make it easier to understand, and hopefully soften the learning curve. This new timeline behavior is one of the major revolutionary changes in Final Cut Pro X, so it’s no coincidence it also happens to be one of the areas people have the most trouble with when they’re starting out, especially when they come from track-based NLEs like Final Cut Pro 7 and Adobe Premiere Pro. The concept is simple: You utilize the method of primary storyline to flush out the foundation of your story, and then you add supporting shots via connected clips above or below-cutaways, b-roll, and music. There’s a darker gray strip in the center of the timeline that’s considered the primary storyline, and a lighter gray area above and below where you can connect clips. They’ve opted for what’s essentially a trackless timeline. In designing FCP X, Apple completely reimagined the concepts and layout of the editing timeline. In this tutorial we’re going to learn how to edit in Final Cut Pro’s new magnetic timeline.
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